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I had spent about a decade collecting interviews with women of varying backgrounds about their relationships, identities and body images. I had interviewed men as well but focused more so on women. I wanted to take what I had learned, cumulatively, and share it. The process of writing the book and then sharing it with readers was quite magical for me. I felt like I was really able to take what I had learned over the years and offer it up to people in a way that made sense and then as readers sought me out to share their stories my learning continued.

I guess I was hooked after that. I wanted to explore other themes from my interview research as well as personal experiences. So I wrote another novel, American Circumstance , which explores appearance versus reality; how our lives and relationships look versus how we experience them, how social class shapes identity and the codes of female friendship including the things we do and do not say to each other. Both books are deeply embedded with sociology and social psychology. Actually, a renowned sociologist who I have long admired emailed to tell me the novels offer a sociology of everyday life which is what I had hoped for.

After I wrote Low-Fat Love a publisher I had already worked with asked me to write a book about doing this kind of work. As an author of an upcoming book in the series I can say there was nothing like this before and it has really opened a new space in academic publishing for arts-based research.

How did the series come to be? PL:The series has been the ultimate labor of love and honestly, it is what I am most proud of in my career. It came to be for the very reason you suggest, there was nothing else like it.

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I very much saw Low-Fat Love as research as much as entertainment. Because I am interested in advancing arts-based research I decided to try and use my novel as a vehicle for doing so.

I came up with the idea for the Social Fictions series in order to create a space to publish the products of ABR, at least those that adapt literary mediums, and so that my book would be a part of something larger. The Social Fictions series publishes books written entirely in literary forms, including plays, novels, short story collections and hybrid forms that involve poetry and other literary forms, but all of the books are written by scholars and are informed by research and it is published by an academic press.

AH: The reaction to your novels and the series as a whole has been tremendous. Can you talk about that and what you think it means? It has been really amazing and humbling. In fairness, I thought he may well be right. By Anne Harris. By Brydie-Leigh Bartleet.

By Katelyn Barney. By Cassandre Balosso-Bardin. By Koji Matsunobu. By Trevor Wiggins. By Jean Penny.

By Charlotte Tulinius, Arthur Hibble. Stephen Carpenter II. By Sarah E. Truman, Stephanie Springgay. By Charles R.

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Ethnocinema: Intercultural Arts Education | Anne Harris | Springer

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